The Official Exodus Website http://www.exodusattack.com/ en Copyright 2008 Sun, 14 Oct 2007 22:25:57 +0100 http://www.sixapart.com/movabletype/ http://blogs.law.harvard.edu/tech/rss Wallpaper
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Nuclear Blast
Nuclear Blast Store (download songs for $ 0.99 per song)

Studio:
Tsunami Recording
Backstage studios

Equipment:
Dean Markley
Drum City- Guitarland
Bernie Rico Jr Guitars
Coffin Case
Morley Pedals
Home Brew Electronics
Celestion
Ovation Guitars
Seymour Duncan

Other sites & Friends:
Bountyhunter inc
Exodus on MySpace
Vanguard Tattoo
Black Heart Tattoo SF
Tattoos and Toys
Ed Stone
Bob Tyrrell
The Drugpig clothing company
The Live Line
I'm with the Band | Management Merchandise Web

]]> http://www.exodusattack.com/2007/10/links.php http://www.exodusattack.com/2007/10/links.php links Sun, 07 Oct 2007 19:34:30 +0100 CONTACT Management: Don Robertson don at exodusattack dot com Ross Erkers ross at exodusattack dot com For: idolmangement.com Merchandise: Legal: Virginie L. Parant, Esq. vparant at artistlawgroup.com For: Artist Law Group Forum: metal commanders admin at exodusattack dot com Website: thewendy thewendy at exodusattack dot com Messages for the band should go to the management, not the webmistress! Please note: e-mail links are disabled due to automatic spamming. You will need to put in the e-mail addresses manually. ]]> http://www.exodusattack.com/2007/10/contact.php http://www.exodusattack.com/2007/10/contact.php contact Sun, 07 Oct 2007 00:48:11 +0100 press INTERVIEWS MediumLinkAlbumMembL Antenna Interview Tempo of the Damned Tom Fourteen G Interview Shovel Headed Kill Machine Gary kronic Interview Gary It kronic Interview Tempo Of The Damned Steve It Metal Invader Interview Shovel Headed Kill Machine Gary Metal Refuge Interview Tempo of the Damned Gary Metal Refuge Interview Tempo of the Damned Gary Metal Rules Interview Gary Metal Rules Interview Gary Metal Temple Interview Tempo of the Damned Tom metalchaos Interview Shovel Headed Kill Machine Gary Midwest Metal Mag Interview Tempo of the Damned Gary Power Metal Interview Shovel Headed Kill Machine Gary D Terrorverlag Interview Shovel Headed Kill Machine Gary transformonline Interview SHKM Gary Uranium Music Interview Shovel Headed Kill Machine Gary Vampire Magazine Interview Gary Vampire Magazine Interview Gary

ALBUM REVIEWS
MediumLinkAlbumLang
Power Metal review Bonded by Blood German
Overhook review Bonded by Blood
Power Metal review Fabulous Disaster German
hailmetal review ovel Headed Kill Machine
Power Metal review Pleasures of the Flesh German
metal-invader review Shovel Headed Kill Machine
Transform Online review Shovel Headed Kill Machine
Power Metal review Shovel Headed Kill Machine German
Hellride Music review Shovel Headed Kill Machine
The Beerpit review Shovel Headed Kill Machine
Metal Temple review Shovel Headed Kill Machine
Pyro Music review Shovel Headed Kill Machine
Vocal Martyr review Shovel Headed Kill Machine
Metal March review Shovel Headed Kill Machine
metal-invader review Shovel Headed Kill Machine
blastwave review Shovel Headed Kill Machine
crowndozen review Shovel Headed Kill Machine
friedhof-magazine review Shovel Headed Kill Machine S
Blabbermouth review Shovel Headed Kill Machine
Scene Point Blank review Shovel Headed Kill Machine
Overhook review Shovel Headed Kill Machine
Metal Forge review Shovel Headed Kill Machine
Pyro Music review Shovel Headed Kill Machine
Pyro Music review Shovel Headed Kill Machine
Vampire Magazine review Shovel Headed Kill Machine
Chronicles of Chaos review Shovel Headed Kill Machine
PitRiff review Shovel Headed Kill Machine
Blistering review Shovel Headed Kill Machine
Maximum Metal review Shovel Headed Kill Machine
kronic review Shovel Headed Kill Machine
Lords of Metal review Shovel Headed Kill Machine
Uranium Music review Shovel Headed Kill Machine
Metal Inside review Tempo of the Damned German
Salzburg review Tempo of the Damned
Tuhma review Tempo of the Damned
Get Ready to Rock review Tempo of the Damned
kronic review Tempo Of The Damned It
Vampster review Tempo of the Damned
Laut review Tempo of the Damned German
Walls of Fire review Tempo of the Damned German
Power Metal review Tempo of the Damned German
Knac review Tempo of the Damned
Overhook review Tempo of the Damned
Metal Factory review Tempo of the Damned German
Concrete Web review Tempo of the Damned
Blabbermouth review Tempo of the Damned
Revelationz review Tempo of the Damned
Metal Coven review Tempo of the Damned
Metal Review review Tempo of the Damned
Power Metal review Tempo of the Damned German
Rock Review review Tempo of the Damned
Metal UK review Tempo of the Damned

REVIEWS
MediumLinkDateLocation
Metal Rules Livereview 06-2004 Sweden Rock
Metal Rules Livereview 12-2004 Canada
rockersdigest Livereview 14-11-2005 Underworld, UK
metalcovenant Livereview 20-11-2005 Musikens Hus
Metal Rules Livereview 2004 Denmark
Metal Rules Livereview 2004 Provinssi Rock
klanggewitter Livereview 2005-12-06 Essen, D
pyromusic Livereview 2006 Australia
hailmetal Livereview 2006-03-07 The Forum, Sydney
themetalforge Livereview 2006-03-12 Brisbane Australia

PICTURES
MediumLinkDateLocation
metalshow Pictures 03/09/2005 Black Death Night IV
metalchroniques Pictures 09/12/2005 Leipzig
alexifront Pictures 10/31/05 El Corazon (Seattle)
jacobdinesen Pictures 11/2005 GODZZFEST
forum Pictures 15/12/2005 London
metalpics Pictures 16/12/005 La Laiterie
metal-experience Pictures 17/12/2005 Tilburg, NL
Rudy De Doncker Pictures 18/12/2005 Hof Ter Lo, Antwerp
Bart Boodts Pictures 18/12/2005 Hof Ter Lo, Antwerp
rajakatu Pictures 22/11/2005 Lutakko
photopit Pictures 29/05/2004 Rockhard Festival
savafan Pictures 29/11/2005 Hungary
incipitum Pictures 8/12/2005 Fleda, Brno
]]> http://www.exodusattack.com/2007/10/press.php http://www.exodusattack.com/2007/10/press.php press Sun, 07 Oct 2007 00:26:10 +0100 DISCOGRAPHY Bonded By Blood
1985 - Torrid

  1. Bonded by Blood
  2. Exodus
  3. And Then There Were None
  4. A Lesson in Violence
  5. Metal Command
  6. Piranha
  7. No Love
  8. Deliver us to Evil
  9. Strike of the Beast
Pleasure Of The Flesh
1987 - Combat

  1. Deranged
  2. 'Til Death do us Part
  3. Parasite
  4. Brain Dead
  5. Faster Than You'll Ever Live to be
  6. Pleasures of the Flesh
  7. 30 Seconds
  8. Seeds of Hate
  9. Chemi-Kill
  10. Choose Your Weapon
Fabulous Disaster
1989 - Combat

  1. The Last Act of Defiance
  2. Fabulous Disaster
  3. The Toxic Waltz
  4. Low Rider
  5. Cajun Hell
  6. Like Father, Like Son
  7. Corruption
  8. Verbal Razors
  9. Open Season
  10. Overdose
Impact Is Imminent
1990 - Capitol

  1. Impact is Imminent
  2. A.W.O.L
  3. The Lunatic Parade
  4. Within The Walls of Chaos
  5. Objection Overruled
  6. Only Death Decides
  7. Heads They Win (Tails You Lose)
  8. Changing of the Guard
  9. Thrash Under Pressure
Good Friendly Violent Fun [Live]
1991 - Combat

  1. Fabulous Disaster
  2. Chemi-Kill
  3. 'Til Death do us Part
  4. Toxic Waltz
  5. Cajun Hell
  6. Corruption
  7. Brain Dead
  8. Dirty Deeds Done Dirt Cheap (AC/DC Cover)
Lessons In Violence [Compilation]
1992 - Combat

  1. Bonded by Blood
  2. Exodus
  3. Chemi-Kill
  4. The Toxic Waltz
  5. A Lesson in Violence
  6. Piranha
  7. Brain Dead
  8. Fabulous Disaster
  9. Dirty Deeds Done Dirt Cheap (AC/DC Cover)
  10. And Then There Were None
Force Of Habit
1992 - Capitol

  1. Thorn in My Side
  2. Me, Myself & I
  3. Force of Habit
  4. Bitch
  5. Fuel for the Fire
  6. One Foot in the Grave
  7. Count Your Blessings
  8. Climb Before the Fall
  9. Architect of Pain
  10. When it Rains it Pours
  11. Good Day to Die
  12. Pump it Up
  13. Feeding Time at the Zoo
Another Lesson In Violence [Live]
1997 - Century Media

  1. Bonded by Blood
  2. Exodus
  3. Pleasures of the Flesh
  4. And Then There Were None
  5. Piranha
  6. Seeds of Hate
  7. Deliver Us to Evil
  8. Brain Dead
  9. No Love
  10. Lesson in Violence
  11. Impaler
  12. Strike of the Beast
Tempo Of The Damned
2004 - Nuclear Blast

  1. Scar Spangled Banner
  2. War is My Sheppard (Real Audio)
  3. Blacklist
  4. Shroud of Urine
  5. Forward March
  6. Culling the Herd
  7. Sealed With a Fist
  8. Throwing Down
  9. Impaler
  10. Tempo of the Damned
  11. Dirty Deeds Done Dirt Cheap (Digi-pak Bonus Track)
Shovel Headed Kill Machine
2005 - Nuclear Blast

  1. Raze
  2. Deathamphetamine
  3. Karma´s Messenger
  4. Shudder To Think
  5. I Am Abomination
  6. Altered Boy
  7. Going Going Gone
  8. Now They Death Day Come
  9. 44 Magnum Opus
  10. Shovel Headed Kill Machine
The Atrocity Exhibition... Exhibit A
2007 - Nuclear Blast

  1. A Call To Arms
  2. Riot Act
  3. Funeral Hymn
  4. Children Of A Worthless God
  5. As It Was, As It Soon Shall Be
  6. The Atrocity Exhibition
  7. Iconoclasm
  8. The Garden Of Bleeding
  9. Bedlam 123
]]> http://www.exodusattack.com/2007/10/discography.php http://www.exodusattack.com/2007/10/discography.php music Sat, 06 Oct 2007 23:37:52 +0100 TOURDATES EUROPE 2008 10.05.2008 Rock Hard Festival, Gelsenkirchen GERMANY SUMMER EUROPE 2008* featuring 3 INCHES OF BLOOD 24.07.2008 Brande-Hoernerkirchen (D) Headbangers Open Air 25.07.2008 ROTTERDAM (D) Baroeg 26.07.2008 LICHTENVOORDE (NL) Zwarte Cross Festival 27.07.2008 DEINZE (BE) Alcatraz Metal Fest 28.07.2008 TILBURG (NL) 013 30.07.2008 COPENHAGEN (DK) The Rock 31.07.2008 AARHUS (DK) Voxhall 02.08.2008 WACKEN (D) Wacken Open Air 09.08.2008 VIGO (SP) AlternaVigo Festival 15.08.2008 DINKELSBUEHL (D) Summerbreeze Festival 16.08.2008 KOMEN (SLO) Metal Mania Festival 17.08.2008 BUDAPEST (HU) Sziget Festival 28.08.2008 Bergen (NOR) Hole In The Sky Festival * co-booked by Factory Music + GDB ]]> http://www.exodusattack.com/2007/10/tourdates.php http://www.exodusattack.com/2007/10/tourdates.php tourdates Sat, 06 Oct 2007 23:16:27 +0100 Biography For the troops in the trenches, it began in 1982 with a low generation copy of a local band’s three-song demo. For some, it began with their first listen to Combat Records’ version of Bonded By Blood in 1986. Still others will say what really mattered began on August 11th, 2001. Regardless of the year, these dates all have one thing in common: the tenacity of Gary Holt. One cannot discuss the power and influence of EXODUS without going into the genealogy of metal music itself. Long hailed as the band that spawned the burgeoning Bay Area Thrash scene in the early ‘80s, the band’s most admirable quality is that the word “surrender” has never existed in lead guitarist/songwriter/General-In-Chief Gary Holt’s vocabulary. Surviving decampment (original guitarist Kirk Hammett left to join Metallica in 1983), death (original vocalist Paul Baloff died in early 2002), untimely disaster (long-time second vocalist Steve Souza abandoned the band in 2004 on the eve of a South American tour), dejection (original drummer Tom Hunting was incapacitated by panic attacks in May 2005), and drug abuse (guitar comrade-in-arms Rick Hunolt’s resignation in June 2005 was due in part to addiction issues), it would have been easier for many to interpret these events as a signal to retire, but then again, not everyone is Gary Holt. At the beginning of their career, EXODUS gained huge notoriety in the international underground scene as a result of the tape trading community. Their dynamic guitar riffing, adrenaline-inducing drum work, and bloodied live shows made all the difference in the band’s mission to take Bay Area Thrash to a worldwide audience. By 1983, the band line-up included guitarist Rick Hunolt and bassist Rob McKillop and had inspired the likes of Metallica, Testament, Death Angel, and Vio-lence. EXODUS’ debut, the immortal, must-have, undisputed thrash classic Bonded By Blood was released in 1985 via Torrid Records (then re-released in 1986 on Combat Records), and a vast tour with Slayer and Venom propelled the band into a household name. Shortly before recording Pleasures Of The Flesh (their 1987 album for Combat Records), lead vocalist Paul Baloff left the band due to personal and musical differences and was replaced by ex-Legacy vocalist Steve “Zetro” Souza. That line-up’s creativity led to Combat’s Fabulous Disaster in 1989, and ultimately awarded the band with a major label contract with Capitol Records. 1990’s Impact Is Imminent and 1992’s Force Of Habit had EXODUS steadily touring with Pantera, Suicidal Tendencies, Anthrax Motörhead, Black Sabbath, Metallica, and Megadeth; however, the changing musical climate brought on by the commercial infiltration of grunge dawned the death of the careers for the majority of the scene’s metal bands, including EXODUS. A brief reunion with original vocalist Baloff occurred in 1997 long enough for the band to recruit bassist Jack Gibson (Vile), tour through Europe and North America, and record their second live album, Another Lesson In Violence. Four years later, EXODUS’ future convened in an unexpected way on August 11th, 2001. Holt, Hunting, Baloff, Hunolt and Gibson were invited to participate – alongside the Souza-led Legacy, Heathen, Forbidden Evil, Anthrax, Death Angel, and Vio-lence – in the spectacularly billed Thrash Of The Titans benefit show for Testament singer Chuck Billy, who was suffering from cancer and undergoing chemotherapy. Originally intended as a one-off show by many of the enlisted performers, Thrash Of The Titans single-handedly paved the way for the reunion of many Bay Area thrash bands that had literally vanished from the scene. Following the benefit, EXODUS began writing music again, but Baloff’s untimely death from a stroke on February 2nd, 2002 placed the reformation attempt on hold. Launching a search for a new vocalist, it was Souza who ultimately returned to the microphone to help record EXODUS’ 2004 visceral comeback album, Tempo Of The Damned. Produced, engineered, mixed, and mastered by Andy Sneap (Megadeth/Arch Enemy/ Kreator) and featuring artwork by Jowita Kaminska, the universal euphoria generated by TOTD (which landed on innumerable “Best Of 2004” lists in magazines around the world) suggested an invigorating new start for EXODUS, but the subsequent exit of Souza, Hunolt, and Hunting within a year depleted the band of three classic members… and the future looked grim. Yet, in less time than most people have EVER seen a band emerge from member loss-induced hibernation, Holt recruited two long-standing musicians who lived and breathed the same Bay Area vitality that flowed in EXODUS’ blood. On the drum throne, he appointed one of the most highly credentialed metal drummers in the world: ex-Slayer/ex-Forbidden/ex-Testament/ex-Systematic Paul Bostaph. To pick up where Hunolt left off, Holt selected godly Heathen guitarist Lee Altus who admittedly waited 20 years for the invitation to join the band. To replace Souza, a daring choice was made in enlisting a virtually unknown singer: guitar-tech-turned-lead-vocalist Rob Dukes, who had enough hate and vitriolic venom within him to convincingly spit out Holt’s murderous lyrics. The internal restructuring skyrocketed EXODUS’ talent meter, making this a dream line-up for legions of thrash metal fans all over the world. Produced by Gary Holt, mixed and mastered by Andy Sneap, and armed with the necessary maniacal passion, pain, and conviction to battle adversity, 2005’s Shovel Headed Kill Machine, EXODUS’ seventh studio album, upheld the musical veracity of thrash metal’s very foundation and pillaged straight ahead like a lead-filled battering ram into the “Top 5 Albums” year-end poll by Decibel Magazine. “When it comes to writing and performing the thrash metal they helped invent more than two decades ago,” cited Outburn Magazine, “EXODUS can hold their heads high as the reigning kings.” Two years later, their musical direction has not faltered. Imported from England in the summer of 2007 to re-join EXODUS at Sharkbite Studios in Oakland, California and record what will surely become a career- and genre-defining album was producer Andy Sneap. Featuring artwork by Seth Siron Anton (Vader, Decapitated, Belphegor) and upping the ante for all other thrash metal albums to be released this upcoming year, The Atrocity Exhibition: Exhibit A is the Master Of Puppets for this modern era’s thrash scene, a visceral auditory realization of collective consciousness that will make the hairs on the back of your neck stand on end with intimate recognition of its omnipotence. For those curious about the total number of heart-racing, eyebrow-raising, raise-your-fist-in-the-air guitar riffs, rip-tide bass lines, and double-bass flurries included on the album, only one word can convey it: Fuggeddaboutit. Affirming original drummer Tom Hunting’s exultant return into the band’s ranks is the opening drum march/battle cry “Call To Arms” that quickly bleeds into the mayhem-inducing “Riot Act”; quick to haunt you are the philosophical ponderations of war in “Children Of A Worthless God” and “As It Was, As It Soon Shall Be”; sure to impress are the guitar tonalities, the righteously complex shredding, and the overall sophisticated finesse of “The Atrocity Exhibition,” “Iconoclasm,” and “Funeral Hymn.” Crowning off The Atrocity Exhibition: Exhibit A’s sonic coup d-état is the cacophonous pacing of “Bedlam 1-2-3” which will not only ensure a dramatic rise in the National Blood Loss Index of countless mosh pits around the world, but will transform them all into Eternal Gardens of Bleeding. Can you picture Gary Holt smiling as he sees the blood splatter before him? http://www.exodusattack.com/2007/10/biography.php http://www.exodusattack.com/2007/10/biography.php biography Sat, 06 Oct 2007 20:48:25 +0100